Characters are a mix of different things. Strengths, flaws and quirks can all combine to make a unique and whole character that readers can connect and engage with. Unfortunately for the writer, getting those mixes to work together isn’t easy.
Strengths are easy enough to understand. These are the places your character excels. This isn’t just in skills either, but in personality traits. Your characters will develop their own personality throughout the course of the story. They’ll show loyalty, cleverness, and even bravery.
Characters also show flaws however. Again, these aren’t just skills where they’re weak, but flaws of, well, character. Perhaps they’re gullible, or they lie a little too easily. Their strengths don’t cover all of their personality traits and what strengths don’t cover, their flaws should.
Both flaws and strengths go a pretty long distance when it comes to character development. There are numerous ways to play strengths and flaws off one another to make a character memorable and unique. In my earlier post on flaws I brought up the Mary Sue character. Pretty, popular and lovable. All positive strengths. But to make her flawed and less of a Mary Sue and more into a rounded character, it helps to make give her weak points. She’s pretty because she’s vain. Popular because she’s a social chameleon. Lovable because it’s hard not to love someone who’s pretty and who compliments everyone, even if those compliments mean nothing.
While both strengths and flaws handle personality however, character quirks can help your readers visualize the character and how they should look and act. Quirks are often little habits we don’t think about. These might be bad habits of nail biting, or shuffling our feet. They can also be other habits, like smiling often or carrying a few extra items on them just in case.
When developing quirks, it helps to consider their backstory. Backstory can also help you flesh out their personality traits. Someone who grew up in a neglectful household might tend to act out more to get the attention they’re craving—making them have a tendency to shout, or to dress outrageously. This lends itself to being the frontal leader always up for a bad idea or a good game of chance. It also leads itself to being temperamental and overly critical.
By contrast, someone who grew up in a supportive household might be more of a social butterfly. They might be a little more likely to compliment others, and be suited to hanging back to provide moral support for endeavors. They’re also likely the ones that know how to cut the deepest and might not be above selling their friends out.
When telling a story, one should keep the characters real except it is of course fantasy or a magical story. But even magical characters have certain flaws. Like they say, nobody is perfect.
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Absolutely! Perfection is too subjective and unrealistic.
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I know right!!! Totally unrealistic.
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